Bio
Born and raised on a mountain by the sea in coastal Maine, Alice Limoges was singing before she could walk. After spending 7 years working in the New York City music scene, the coronavirus pandemic pushed her back to Maine last March. Her life has blossomed with new inspirations in the beautiful landscape of her childhood where she’s self-producing several projects. She release these exclusive singles monthly on her Patreon. With a voice reminiscent of a young Fiona Apple, Alice possesses a powerful, strong voice with the heart and soul of a classic folk troubadour.
Her new song and accompanying music video “China We Don’t Use” explores the intangibility of love, even familiar love, when our mental health is poor and we struggle to feel comfortable in our own bodies. The recording is sparse, just voice and piano, while the music video follows an innocent young girl playing with a delicate china set.
Alice has released four independent albums to date. Her song "No One Underneath” was a semi-finalist in the 2019 International Songwriting Competition. She played on the Grammy Award winning album "Ageless: Songs For The Child Archetype" by Jon Samson.
She has performed extensively across NYC and the northeast, including festivals (Make Music Harlem, NYC; Keene Music Festival, Keene, NH; The Campfire Festival, Cambridge, MA; Belfast Free Range Festival, Belfast, ME), colleges (Columbia University, Hamilton College, SUNY New Paltz, SUNY Purchase), and other legendary venues such as The Cutting Room (NYC), Rockwood Music Hall (NYC), PIANOS (NYC), Arlene’s Grocery (NYC), Club Passim (Boston), and Blue (Portland) as well as countless intimate concerts with Sofar Sounds.
When she’s not working on music, Alice has a wide range of passions and inspirations such as being in nature, exploring, reading novels and poetry, and painting.
Her new song and accompanying music video “China We Don’t Use” explores the intangibility of love, even familiar love, when our mental health is poor and we struggle to feel comfortable in our own bodies. The recording is sparse, just voice and piano, while the music video follows an innocent young girl playing with a delicate china set.
Alice has released four independent albums to date. Her song "No One Underneath” was a semi-finalist in the 2019 International Songwriting Competition. She played on the Grammy Award winning album "Ageless: Songs For The Child Archetype" by Jon Samson.
She has performed extensively across NYC and the northeast, including festivals (Make Music Harlem, NYC; Keene Music Festival, Keene, NH; The Campfire Festival, Cambridge, MA; Belfast Free Range Festival, Belfast, ME), colleges (Columbia University, Hamilton College, SUNY New Paltz, SUNY Purchase), and other legendary venues such as The Cutting Room (NYC), Rockwood Music Hall (NYC), PIANOS (NYC), Arlene’s Grocery (NYC), Club Passim (Boston), and Blue (Portland) as well as countless intimate concerts with Sofar Sounds.
When she’s not working on music, Alice has a wide range of passions and inspirations such as being in nature, exploring, reading novels and poetry, and painting.
Press
Portland Press Herald: [It Stole Myself From Me] left like reading someone’s diary, but not in an invasive way. It’s more like an invitation from someone who is not hiding from their truth, but instead has found a way to capture and share it through her music."
Torched Magazine: "'The Space Between’ is an emotionally charged collection of songs that you can easily pull up a blanket by the fire with as you turn the pages of your favorite book."
Dope Cause We Said: “The Space Between” is the rainy day album that you’ve been waiting for.
Lemonade Magazine: "[F]illed with brilliant tenderness that can only be written when feeling are running out of control and the only meaningful outlet is songwriting"
Wee Claire: "Alice Limoges's music is wonderfully wistful and delightfully dreamy."
Bangor Daily News: "As a songwriter, Limoges brings to mind something akin to a softer-edged Fiona Apple, or a harder-edged Sarah McLachlan — awfully, awfully pretty, but with a flair for the dramatic that creeps in on nearly every track."
Torched Magazine: "'The Space Between’ is an emotionally charged collection of songs that you can easily pull up a blanket by the fire with as you turn the pages of your favorite book."
Dope Cause We Said: “The Space Between” is the rainy day album that you’ve been waiting for.
Lemonade Magazine: "[F]illed with brilliant tenderness that can only be written when feeling are running out of control and the only meaningful outlet is songwriting"
Wee Claire: "Alice Limoges's music is wonderfully wistful and delightfully dreamy."
Bangor Daily News: "As a songwriter, Limoges brings to mind something akin to a softer-edged Fiona Apple, or a harder-edged Sarah McLachlan — awfully, awfully pretty, but with a flair for the dramatic that creeps in on nearly every track."