Born and raised on a mountain by the sea in coastal Maine, Alice Limoges was singing before she could walk. After studying a mix of jazz, classical, production, and contemporary music at SUNY Purchase’s Music Conservatory, she has been working in the New York City music scene and recording with Jon Jetter of Right Angle Studios as well as in her home studio. With a voice reminiscent of a young Fiona Apple, Alice possesses a powerful, strong voice with the heart and soul of a classic folk troubadour.
Alice has released three independent albums to date. Her most recent release is an intimate music video for her song "No One Underneath", which was was a semi-finalist in the 2019 International Songwriting Competition. She played on the Grammy Award winning album "Ageless: Songs For The Child Archetype" by Jon Samson. Alice's concerts are intimate and vulnerable. She instantly pulls the audience into her world with personal stories and even invites them to sing with her, hoping to share a little magic with them.
She has performed extensively across NYC and the northeast, including festivals (Make Music Harlem, NYC; Keene Music Festival, Keene, NH; The Campfire Festival, Cambridge, MA; Belfast Free Range Festival, Belfast, ME), colleges (Columbia University, Hamilton College, SUNY New Paltz, SUNY Purchase), and other legendary venues such as The Cutting Room (NYC), Rockwood Music Hall (NYC), PIANOS (NYC), Arlene’s Grocery (NYC), Club Passim (Boston), and Blue (Portland) as well as countless intimate concerts with Sofar Sounds.
When she’s not working on music, Alice has a wide range of passions and inspirations such as being in nature, exploring, reading novels and poetry, and painting.
Alice has released three independent albums to date. Her most recent release is an intimate music video for her song "No One Underneath", which was was a semi-finalist in the 2019 International Songwriting Competition. She played on the Grammy Award winning album "Ageless: Songs For The Child Archetype" by Jon Samson. Alice's concerts are intimate and vulnerable. She instantly pulls the audience into her world with personal stories and even invites them to sing with her, hoping to share a little magic with them.
She has performed extensively across NYC and the northeast, including festivals (Make Music Harlem, NYC; Keene Music Festival, Keene, NH; The Campfire Festival, Cambridge, MA; Belfast Free Range Festival, Belfast, ME), colleges (Columbia University, Hamilton College, SUNY New Paltz, SUNY Purchase), and other legendary venues such as The Cutting Room (NYC), Rockwood Music Hall (NYC), PIANOS (NYC), Arlene’s Grocery (NYC), Club Passim (Boston), and Blue (Portland) as well as countless intimate concerts with Sofar Sounds.
When she’s not working on music, Alice has a wide range of passions and inspirations such as being in nature, exploring, reading novels and poetry, and painting.
Press
Torched Magazine: "'The Space Between’ is an emotionally charged collection of songs that you can easily pull up a blanket by the fire with as you turn the pages of your favorite book."
Dope Cause We Said: “The Space Between” is the rainy day album that you’ve been waiting for.
Lemonade Magazine: "[F]illed with brilliant tenderness that can only be written when feeling are running out of control and the only meaningful outlet is songwriting"
Wee Claire: "Alice Limoges's music is wonderfully wistful and delightfully dreamy."
Bangor Daily News: "As a songwriter, Limoges brings to mind something akin to a softer-edged Fiona Apple, or a harder-edged Sarah McLachlan — awfully, awfully pretty, but with a flair for the dramatic that creeps in on nearly every track."
Dope Cause We Said: “The Space Between” is the rainy day album that you’ve been waiting for.
Lemonade Magazine: "[F]illed with brilliant tenderness that can only be written when feeling are running out of control and the only meaningful outlet is songwriting"
Wee Claire: "Alice Limoges's music is wonderfully wistful and delightfully dreamy."
Bangor Daily News: "As a songwriter, Limoges brings to mind something akin to a softer-edged Fiona Apple, or a harder-edged Sarah McLachlan — awfully, awfully pretty, but with a flair for the dramatic that creeps in on nearly every track."